The imperial inventory
Musée du quai Branly is dedicated to the cultures of la Oceania, la Afrique and las Amériques and is just east of the Tour Eiffel. It’s not dissimilar to the Met or any robber’s lair of exotic goods, but it’s appallingly ill-lit and lacks detailed information about any of the cultures, art or clothing represented. There are the usual stolen pieces from ancient graveyards (tombs, skulls, jewelry) and a piece of a temple from Teotihuacán. There is also a small section dedicated to the “Esquimaux,” including a display of couteaux (knives). Unfortunately they are all grouped together: knives for hunting, skinning, cutting…and story telling. I couldn’t help wanting Empire to better organize, and document, its spoils.
And here I am, in Paris, happily perusing the mostly organized archive of an anti-imperialist Guatemalan-sometimes Mayan-nobel laureate author and wondering why he left it all—most of his manuscripts, correspondence and, most importantly, his notebooks—to the national library of the French Republic.
1 Comments:
yes- these links totally call up that old story of France's colonialism, which gets submerged and then pops up again. But amazing to see the materiality of it, and how beautiful the objets are. It reminds me of visiting the big museum in Amsterdam with my sister, and having trouble with the valorization of its colonial past... it's complicated.
Any answers yet on why he left his materials to the French? Is the research changing your trajectory?
It all sounds really amazing and glorious...
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